Tuesday, September 17, 2013

Doctor Zhivago



A surprisingly involving (and more faithful) adaptation
It may be somewhat sacrilegious to admit this, but I actually prefer this production to the David Lean classic. That is an admission however that I do not take lightly, the Lean version having left an indelible impression on my younger life and the beautiful Lara's Theme having haunted me since I first saw the original version on television back in the 1980s.
No, when I sat down to watch this 2002 adaptation of the Boris Pasternak epic I was all prepared to be both disappointed and resistant to a newer version of the Omar Sharif/Julie Christie favorite - so what happened? Why am I now sitting here so impressed and involved in what should by all accounts be a poorer step child to the colorful, star-filled 1960s movie.
Simply put this movie has the advantage of time. A whole hour longer than the other movie that extra time gives the production of filling in some of the blanks that inhabited the original and more fully exploring the human relationships and interaction between...

Russian history brought to life...(kleenex in tow)
I have never read the book by Boris Pasternak nor have I seen the original 1965 movie (I plan on reading the book and renting the David Lean version soon, though). That said, I loved it! I was really impressed by Keira Knightley's performance, especially as she was only 16 or 17 at the time. Hans Matheson plays the torn poet/physician to perfection. (Other reviewers who panned the two leads must have a different standard of acting than I have...they were great in my book.) Yury Zhivago and Lara cross each other's path three times b/f they work side-by-side as doctor and nurse during the end of WWI and the onset of the Russian Revolution. Lara peers into the window of a cafe where Yury is sitting with Tonya and his friend, Mischa (the three friends are discussing the nature of love and whether or not it can be analyzed); the future lovers' eyes meet and they exchange smiles. Their second meeting is more dramatic. Dr. Zhivago resuscitates Lara's mother after she attempts suicide...

A More Intimate Telling of Pasternak's Doctor Zhivago
Interesting to see all the harsh criticism of the Masterpiece Theatre version of Pasternak's luminous novel DOCTOR ZHIVAGO. Though the 4 hour miniseries now on DVD did not have the wide-angle sweep of David (LAWRENCE OF ARABIA) Lean's epic favorite film (and who can ever forget the sweeping scenes of fields of daffodils, majestic sleigh rides, the ice coated palace-like retreat for Yuri and Lara, etc), this version somehow seems more intimate with more credible character portrayals of the survivors of the wanton confusion of a country which in a matter of a few years passed from the end of the Tsars through destructive revolution and heinous crimes to the gray, bland period of communism.

Hans Matheson relies more on the poet aspect of Yuri Zhivago than the towering hero of his physician nature. Keira Knightly finds more of the innate sense of innocence lost in her Lara. Alexandra Maria Lara finds more credible and three dimensional humanity in Yuri's wife Tonya. Sam Neill takes...

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